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image sensor format : ウィキペディア英語版
image sensor format

In digital photography, the image sensor format is the shape and size of the image sensor.
The image sensor format of a digital camera determines the angle of view of a particular lens when used with a particular camera. In particular, image sensors in digital SLR cameras tend to be smaller than the 24 mm × 36 mm image area of full-frame 35 mm cameras, and therefore lead to a narrower angle of view.
The ''size'' of a sensor is often expressed as optical format. Other measures are also used; see table of sensor formats and sizes below.
Lenses produced for 35 mm film cameras may mount well on the digital bodies, but the larger image circle of the 35 mm system lens allows unwanted light into the camera body, and the smaller size of the image sensor compared to 35 mm film format results in cropping of the image. This latter effect is known as field of view crop. The format size ratio (relative to the 35 mm film format) is known as the field of view crop factor, crop factor, lens factor, focal length conversion factor, focal length multiplier or lens multiplier.
== Sensor size and depth of field ==

Three possible depth of field comparisons between formats are discussed, applying the formulae derived in the article on depth of field. The depths of field of the three cameras may be the same, or different in either order, depending on what is held constant in the comparison.
Considering a picture with the same subject distance and angle of view for two different formats:
: \frac \approx \frac
so the DOFs are in inverse proportion to the absolute aperture diameters d_1 and d_2.
Using the same absolute aperture diameter for both formats with the “same picture” criterion (equal angle of view, magnified to same final size) yields the same depth of field. It is equivalent to adjusting the f-number inversely in proportion to crop factor – a smaller f-number for smaller sensors. (This also means that, when holding the shutter speed fixed, the exposure is changed by the adjustment of the f-number required to equalise depth of field. But the aperture area is held constant, so sensors of all sizes receive the same total amount of light energy from the subject. The smaller sensor is then operating at a lower ISO setting, by the square of the crop factor.)
And, we might compare the depth of field of sensors receiving the same photometric exposure – the f-number is fixed instead of the aperture diameter – the sensors are operating at the same ISO setting in that case, but the smaller sensor is receiving less total light, by the area ratio. The ratio of depths of field is then
: \frac \approx \frac
where l_1 and l_2 are the characteristic dimensions of the format, and thus l_1/l_2 is the relative crop factor between the sensors. It is this result that gives rise to the common opinion that small sensors yield greater depth of field than large ones.
An alternative is to consider the depth of field given by the same lens in conjunction with different sized sensors (changing the angle of view). The change in depth of field is brought about by the requirement for a different degree of enlargement to achieve the same final image size. In this case the ratio of depths of field becomes
: \frac \approx \frac .

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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